Songwriting in contemporary West Virginia : profiles and reflections

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Where to find it

Music Library

Call Number
ML385 .S735 2018
Status
Available

Authors, etc.

Names:

Summary

Songwriting in Contemporary West Virginia: Profiles and Reflections is the first book dedicated to telling the stories of West Virginia's extensive community of songwriters. Based on oral histories conducted by Stimeling and told largely in the songwriters' own words, these profiles offer a lively overview of the personalities, venues, and networks that nurture and sustain popular music in West Virginia.

Stimeling is attentive to breadth and diversity, presenting sketches of established personalities like Larry Groce, who oversees Mountain Stage, and emerging musicians like Maria Allison, who dreams of one day performing there. Each profile includes a brief selected discography to guide readers to recordings of these musicians' work.

Contents

  • Acknowledgements p. ix
  • A Note on the Sources p. xi
  • Introduction p. 1
  • Part 1 Charleston-West Virginia's Songwriting Capital
  • Ron Sowell p. 7
  • Larry Groce p. 23
  • Julie Adams p. 35
  • John Lilly p. 43
  • Dina Hornbaker p. 53
  • Mike Pushkin p. 60
  • Colleen Anderson p. 67
  • Mike Arcuri p. 74
  • Roger Rabalais p. 80
  • Part II The Ohio Valley-Rivers of Song
  • Todd Burge p. 87
  • Lionel Cartwright p. 97
  • Taryn Thomas p. 109
  • Patrick Stanley p. 115
  • Jim Savarino p. 121
  • Part III The Eastern Panhandle-Roots And Branches
  • Adam Booth p. 129
  • Chelsea McBee p. 139
  • Part IV The Southern Coalfields-The Spiritual Home
  • Elaine Purkey p. 149
  • Shirley Stewart Burns p. 157
  • Roger Bryant p. 163
  • Scott Holstein p. 171
  • Part V The Tamarack Scene-Beckley, Bluefield, Lewisburg
  • Doug Harper p. 181
  • Clinton Collins p. 187
  • Mark Spangler p. 194
  • Andrew Adkins p. 201
  • Part VI Morgantown-Songwriting In The University City
  • Maria Allison p. 209
  • Pam Spring p. 217
  • Chris Haddox p. 223
  • Steve Smith p. 229
  • Dan Cunningham p. 237
  • Notes and Interviews p. 243

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