The Garland handbook of Latin American music

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Summary

The Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean, (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area.

Part One provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. It also explores the many ways to research Latin American music, including archaeology, iconography, mythology, history, ethnography, and practice. Part Two focuses on issues and processes, such as history, politics, geography, and immigration, which are responsible for the similarities and the differences of each region's uniqueness and individuality. Part Three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies.

The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide focus attention on what musical and cultural issues arise when one studies the music of Latin America -- issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America.

Contents

  • Table of Contents
  • List of Audio Examples
  • List of Maps
  • List of Contributors
  • Preface
  • Part 1 Introduction to the Music Cultures of the Region
  • A Profile of the Lands and People of Latin America Dale A. Olsen
  • Studying Latin American Music Dale A. Olsen
  • Part 2 Issues and Processes in the Music of Latin America
  • The Distribution, Symbolism, and Use of Musical Instruments Dale A. Olsen
  • Musical Genres and Contexts Anthony Seeger Social Structure, Musicians, and Behavior Anthony Seeger Musical Dynamics Anthony Seeger Music of Immigrant Groups Dale A. Olsen
  • Part 3 Nations and Musical Traditions Caribbean Latin America Cuba Olavo Alèn Rodrìguez Haiti Gage Averill and Lois Wilckin
  • Dominican Republic Martha Ellen Davis Puerto Rico Hèctor Vega Drouet
  • Questions for Critical Thinking: Carribean Music Middle Latin America Mexico Daniel E. Sheehy Tarahumara and Richard Haefer and Guatemala Linda O'Brien-Rothe and Panama Ronald R. Smith Kuna and Sandra Smith
  • Questions for Critical Thinking: Middle Latin American Music South America
  • The Music of South America Dale A. Olsen
  • The Tropical-Forest Region Anthony Seeger Venezuela Max H. Brandt Warao and Dale A. Olsen
  • Brazil: Central and Southern Areas Suzel Ana Reily Afro-Brazilian Traditions Gerard Bèhague Paraguay Timothy D. Watkins
  • Argentina Ercilia Moreno Chà Mapuche Carol and Robertson Bolivia Henry and Stobart Peru Raùl and R. Romero Q'ero and John Cohen and Holly Wissler
  • Afro-Peruvian Traditions William David Tompkins
  • Questions for Critical Thinking: South American Music
  • Conclusion Dale A. Olsen Questions for Critical Thinking: Latin American Music
  • Glossary A Guide to Publications A Guide to Recordings A Guide to Films and Videos
  • Notes on the Audio
  • Examples Index

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