Doctors

cover image

Where to find it

Information & Library Science Library — Juvenile

Call Number
Graphic Shaw
Status
Available

Authors, etc.

Names:

Summary

This new graphic novel from acclaimed cartoonist Dash Shaw (Bottomless Belly Button) is his most taut book to date. Dr. Cho is the creator of the Charon, a device that allows his staff to take the form of a memory in a dead patients' consciousnesses, and bring them back to life, with one catch: the experience is traumatic and the process kills them again soon thereafter. But for some bereaved, the opportunity is priceless. So when Bell is killed in a random accident, her daughter hires Dr. Cho's team to bring her back. But what if Bell didn't want to come back? The dying unconsciously create the afterlife they want, or feel they deserve, in their minds before everything fades to black. Isn't that better than the reality, and no less meaningful than life itself? Can unconsciousness coexist with consciousness? Doctors is part science-fiction thriller, part family drama, part morality play for the 21st century, and quite possibly Shaw's best book to date.

Sample chapter

On the 15th June 1903, In the early forenoon, a medical student, surname Redpenny, Christian name unknown and of no importance, sits at work in a doctor's consulting-room. He devils For The doctor by answering his letters, acting as his domestic laboratory assistant, and making himself indispensable generally, In return for unspecified advantages involved by intimate intercourse with a leader of his profession, and amounting to an informal apprenticeship and a temporary affiliation. Redpenny is not proud, and will do anything he is asked without reservation of his personal dignity if he is asked in a fellow-creaturely way. He is a wide-open-eyed, ready, credulous, friendly, hasty youth, with his hair and clothes in reluctant transition from the untidy boy To The tidy doctor. Redpenny is interrupted by the entrance of an old serving-woman who has never known the cares, The preoccupations, The responsibilities, jealousies, and anxieties of personal beauty. She has the complexion of a never-washed gypsy, incurable by any detergent; and she has, not a regular beard and moustaches, which could at least be trimmed and waxed into a masculine presentableness, but a whole crop of small beards and moustaches, mostly springing from moles all over her face. She carries a duster and toddles about meddle-somely, spying out dust so diligently that whilst she is flicking off one speck she is already looking elsewhere for another. In conversation she has the same trick, hardly ever looking at the person she is addressing except when she is excited. She has only one manner, and that is the manner of an old family nurse to a child just after it has learnt to walk. She has used her ugliness to secure indulgences unattainable by Cleopatra or Fair Rosamund, and has the further great advantage over them that age increases her qualifi-cation instead of impairing it. Being an industrious, agreeable, and popular old soul, she is a walking sermon on the vanity of feminine prettiness. Just as Redpenny has no discovered Christian name, she has no discovered surname, and is known throughout the doctors' quarter between Cavendish Square And The Marylebone Road simply as Emmy. Excerpted from The Doctor's Dilemma by George Bernard Shaw All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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