Digital copyright : law and practice

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Where to find it

Law Library — 3rd Floor Collection (3rd floor)

Call Number
KD1303.C65 S76 2014
Status
Available

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Names:

Summary

The first edition of this book in 2002 was the first UK text to examine digital copyright together with related areas such as performers' rights, moral rights, database rights and competition law as a subject in its own right. Updated editions have included the UK implementation of the 2001 Information Society Directive and commentary on user-generated content and the development of Web 2.0 and beyond. Now in its fourth edition, the book has been updated and revised to take account of legal and policy developments in copyright law and related areas, in particular the increasing role of the Court of Justice of the European Union in shaping EU copyright law. The book helps put digital copyright law and policy into perspective and provides practical guidance for those creating or exploiting digital content or technology, whether in academia, the software, information, publishing and creative industries, and other areas of the economy. The focus is on the specifics of the law in this area together with practical aspects, including precedents and precedent checklists dealing with common digital copyright transactions. The latest edition has been expanded to include a discussion of Open Access, eBooks and app development and licensing. Both academics and practitioners will find the book an invaluable guide to this rapidly developing field of law.

Contents

  • Preface to the Fourth Edition p. v
  • Acknowledgements (Fourth Edition) p. vii
  • Acknowledgements (Third Edition) p. vii
  • Acknowledgements (Second Edition) p. vii
  • Acknowledgements (First Edition) p. vii
  • Glossary p. xvii
  • Table of Cases p. xxix
  • Table of Legislation p. xxxvii
  • 1 Why Digital Copyright Matters p. 1
  • 1.1 Overview of this Book p. 1
  • 1.1.1 This Chapter and the Book p. 2
  • 1.2 Copyright: Its Scope and Rationale p. 2
  • 1.2.1 Why Have Copyright? p. 2
  • 1.2.2 The Case Against Copyright and Copyright Reform p. 3
  • 1.2.3 Limits on Copyright p. 5
  • 1.2.4 Justifying Copyright p. 6
  • 1.2.5 Originality and Copyright p. 7
  • 1.2.6 Moral Rights p. 7
  • 1.2.7 Copyright and Other Intellectual Property (IP) Rights p. 8
  • 1.3 The International Aspect of Copyright p. 8
  • 1.3.1 Background p. 8
  • 1.3.2 An Example p. 9
  • 1.3.3 The Internet and International Copyright p. 10
  • 1.4 The Digital Challenge to Copyright p. 11
  • 1.5 Internet Technology and Copyright p. 12
  • 1.5.1 How the Internet Works p. 12
  • 1.6 International Legislation p. 16
  • 1.6.1 Electronic Commerce Directive p. 16
  • 1.6.2 Information Society Directive p. 17
  • 1.7 The Future p. 18
  • 1.7.1 The Death of Copyright p. 18
  • 1.7.2 A New Future for Copyright p. 19
  • 1.7.3 Concluding Thoughts p. 20
  • 2 Digital Copyright: The Basics p. 22
  • 2.1 Introduction p. 22
  • 2.1.1 Overview p. 22
  • 2.1.2 Sources of Law p. 22
  • 2.2 What Digital Copyright Protects p. 23
  • 2.2.1 UK Law p. 23
  • 2.2.2 Digital Copyright Works p. 23
  • 2.2.3 Criteria for Protection ie Work Must Be 'Original' p. 27
  • 2.2.4 Who is the Author (Including for Computer-generated Works)? p. 29
  • 2.2.5 The Need for Fixation/permanence of the Work p. 30
  • 2.2.6 Qualifying Factors for Protection and Digital Copyright Formalities p. 30
  • 2.2.7 Duration of Protection p. 31
  • 2.2.8 Other Digital Rights Neighbouring Copyright or Related to it p. 32
  • 2.3 How Digital Copyright can be Infringed p. 39
  • 2.3.1 Digital Aspects p. 41
  • 2.3.2 Remedies for Copyright Infringement p. 42
  • 2.4 Exceptions and Defences to Digital Copyright Infringement p. 43
  • 2.4.1 Statutory Exceptions p. 43
  • 2.4.2 Licences p. 50
  • 2.4.3 Public Policy Defences p. 50
  • 2.5 Who Owns the Digital Copyright? p. 51
  • 2.5.1 Employees, Directors and Commissioned Works p. 51
  • 2.5.2 Authorship and Joint Ownership p. 52
  • 2.5.3 Collecting Societies p. 53
  • 2.6 The Implementation of the Electronic Commerce and Information Society Directives into UK Law p. 53
  • 2.6.1 Implementation of the Electronic Commerce Directive p. 54
  • 2.6.2 Implementation and Effect of the Information Society Directive p. 58
  • 3 Digital Database Law and the Internet p. 64
  • 3.1 The Relationship Between Copyright and Database Right p. 64
  • 3.1.1 Position Before 1 January 1998 p. 64
  • 3.1.2 Position from 1 January 1998 p. 65
  • 3.2 Digital Copyright Protection for Databases p. 65
  • 3.3 Database Right Protection p. 67
  • 3.3.1 British Horseracing Board Limited v William Hill (2001) p. 69
  • 3.3.2 The ECJ Decision p. 71
  • 3.3.3 Impact of the ECJ Decision in the UK Courts p. 72
  • 3.3.4 Future Development of the Database Directive p. 74
  • 3.4 Some Practical Suggestions p. 75
  • 4 Digital Moral Rights: The Basics p. 78
  • 4.1 What are Digital Moral Rights? p. 78
  • 4.1.1 Background p. 78
  • 4.1.2 UK Law p. 80
  • 4.2 How are Digital Moral Rights Infringed? p. 81
  • 4.2.1 Right of Paternity p. 81
  • 4.2.2 Derogatory Treatment p. 82
  • 4.2.3 Moral Rights in the USA p. 84
  • 4.2.4 Performers' Moral Rights p. 84
  • 4.2.5 Implications of Moral Rights for the Digital Environment p. 86
  • 4.3 Dealing with Moral Rights in Practice p. 87
  • 5 Digital Rights and Competition Law p. 89
  • 5.1 Overview: Competition Law and Digital Copyright p. 89
  • 5.2 UK Competition Law p. 90
  • 5.2.1 The Competition Act 1998 p. 90
  • 5.2.2 Restraint of Trade Doctrine p. 93
  • 5.3 EU Law p. 94
  • 5.4 Penalties for Breaching Competition Law p. 94
  • 5.5 Implications for Digital Copyright Businesses p. 95
  • 5.5.1 E-commerce Generally p. 95
  • 5.5.2 Software and Other Digital Copyright Licences p. 95
  • 5.5.3 Digital Copyright Distribution Agreements p. 97
  • 5.5.4 Unfair Prices or Predatory Pricing p. 98
  • 5.5.5 Maintenance p. 98
  • 5.5.6 End-user Sales p. 99
  • 5.5.7 Refusal to License Digital Copyright to Competitors p. 100
  • 5.5.8 Excessive Pricing p. 104
  • 5.5.9 Content Bundling p. 104
  • 5.5.10 Exhaustion of Rights in Digital Copyright Products p. 105
  • 5.5.11 E-books p. 108
  • 5.5.12 Collecting Societies p. 109
  • 5.6 Concluding Comments p. 110
  • 6 Software Copyright p. 111
  • 6.1 Code and Copyright: The Basics p. 111
  • 6.2 The Software Directive p. 113
  • 6.3 What Does Software Copyright Protect? p. 116
  • 6.3.1 John Richardson Computers Ltd v Flanders p. 117
  • 6.3.2 Ibcos Computers Ltd v Barclays Mercantile Highland Finance Ltd p. 118
  • 6.3.3 Cantor Fitzgerald v Tradition p. 119
  • 6.3.4 Navitaire Inc v Easyjet Airline Co. & Anor p. 121
  • 6.3.5 Nova Productions v Mazooma Games; Nova Productions v Bell Fruit Games p. 125
  • 6.3.6 SAS Institute Inc v World Programming Ltd p. 127
  • 6.3.7 Software copyright following Cantor Fitzgerald, Navitaire, Nova Productions and SAS Institute p. 131
  • 6.4 The Challenge of the Open Source Movement to Software Copyright p. 133
  • 6.4.1 Some Issues p. 133
  • 7 Digital Copyright and E-Commerce p. 135
  • 7.1 Content Reuse p. 136
  • 7.1.1 Specific Issues for Audio-visual Content p. 137
  • 7.1.2 Some Examples from the Case Law p. 138
  • 7.1.3 Lessons to be Learnt p. 139
  • 7.2 Licensing and Linking p. 140
  • 7.2.1 Licensing Digital Copyright Works p. 141
  • 7.2.2 Linking p. 144
  • 7.3 Digital Image Protection p. 150
  • 7.3.1 Copyright in Digital Images p. 150
  • 7.3.2 Infringing Image Rights p. 152
  • 7.3.3 Protecting Digital Images p. 152
  • 7.4 Lawful Use of Search Engines p. 153
  • 7.4.1 Background p. 153
  • 7.4.2 The US Experience p. 154
  • 7.4.3 Kelly v Arriba Soft (USA) p. 155
  • 7.4.4 Practical Issues p. 162
  • 7.5 Napster, Grokster, MP3 and Beyond: A UK view p. 163
  • 7.5.1 The UK Position: Legal Overview p. 164
  • 7.5.2 US Law p. 166
  • 7.5.3 Napster, Grokster and Beyond p. 168
  • 7.5.4 The UK Experience p. 171
  • 7.5.5 Where To Next? p. 174
  • 7.6 Service Provider Liability p. 174
  • 7.6.1 Background p. 174
  • 7.6.2 Clarifying the Position p. 175
  • 7.7 Standards and Web Content p. 176
  • 7.8 Streaming Media and Digital Copyright p. 177
  • 7.8.1 Piracy and Streaming p. 178
  • 7.8.2 Defences Against Piracy p. 178
  • 7.8.3 Concluding Thoughts p. 179
  • 7.9 Technical Protection Measures and Fair Use: The End of Copyright? p. 179
  • 7.9.1 Background p. 179
  • 7.9.2 The Position in the USA p. 180
  • 7.9.3 The UK Position Prior to 31 October 2003 p. 182
  • 7.9.4 The European Dimension p. 183
  • 7.9.5 UK Implementation of Effective Technological Measures and ERMI p. 186
  • 7.9.6 Technological Measures and Permitted Acts, Fair Use and Fair Dealing p. 189
  • 7.9.7 The Future of Digital Rights Management (DRM) p. 190
  • 8 Digital Copyright, Web 2.0, E-Publishing and APPS p. 192
  • 8.1 Web 2.0 and Copyright p. 192
  • 8.1.1 Web 2.0 Legal Issues: Background p. 193
  • 8.1.2 Dealing with the Issues: The Importance of Contractual and/or Licence Terms p. 193
  • 8.1.3 Some Specific Issues p. 195
  • 8.2 Fair Dealing and Web 2.0 p. 196
  • 8.2.1 Google Book Search p. 196
  • 8.2.2 Google News p. 197
  • 8.2.3 Copiepresse v Google p. 198
  • 8.2.4 The UK Position p. 199
  • 8.3 Liability for Hosting and/or Distributing Infringing Content p. 200
  • 8.3.1 Viacom v Google p. 200
  • 8.3.2 Co-regulation: A Future Approach to Illicit P2P Copying of Material? p. 201
  • 8.3.3 Online Infringement and the Digital Economy Act p. 202
  • 8.3.4 Injunctions Against Service Providers p. 203
  • 8.4 E-publishing p. 204
  • 8.4.1 Introduction p. 204
  • 8.4.2 E-books p. 204
  • 8.4.3 Open Access p. 206
  • 8.5 App Development and Licensing p. 209
  • 8.5.1 Introduction p. 209
  • 8.5.2 App Development and Licensing p. 210
  • 9 Protecting and Managing Your Digital Copyright Assets p. 211
  • 9.1 General p. 211
  • 9.1.1 Acquiring Rights: Ownership of Digital Copyright p. 211
  • 9.1.2 Acquiring Rights: Licensing Digital Copyrights p. 212
  • 9.1.3 Protecting and Exploiting Digital Copyrights p. 212
  • 9.2 Issues for Specific Industries p. 213
  • 9.2.1 General Industrial p. 213
  • 9.2.2 Financial and Professional Services p. 214
  • 9.2.3 Telecommunications and ISPs p. 214
  • 9.2.4 Software and Computer Games p. 215
  • 9.2.5 Publishing and Information Providers p. 216
  • 9.2.6 Broadcasting, Entertainment and Music p. 217
  • 9.2.7 Gaming and Betting p. 218
  • 9.2.8 Auction Houses and Collectibles Sites p. 218
  • 9.2.9 Museums, Galleries, and Picture Libraries p. 219
  • 9.2.10 Pharmaceutical, Biotechnology and Bio-information/ Bio-informatics Industries p. 220
  • 9.2.11 Universities/Higher Education Sector p. 221
  • 9.3 The Role of Collecting Societies in the Digital Environment p. 222
  • 9.3.1 The Future of Collecting Societies in the Digital Environment p. 223
  • 9.3.2 The Major Collecting Societies in the UK p. 226
  • 9.4 Orphan Works, Extended Collective Licensing and Digital Copyright Exchanges/Copyright Hubs p. 228
  • 9.5 Precedent Checklists and Precedents p. 231
  • 9.5.1 Checklist-Acquiring Software (Digital Copyright User Focus) p. 231
  • 9.5.2 Checklist: Acquiring Internet Content (Digital Copyright User Focus) p. 233
  • 9.5.3 Checklist: Digital Copyright Distribution and Licensing (Digital Copyright Licensor Focus) p. 234
  • 9.5.4 Open Source Licences: Checklist of Licensing options p. 237
  • 9.5.5 Creative Commons p. 240
  • 9.5.6 Cloud Computing/Software as a Service (SaaS) p. 241
  • 9.5.7 Linking Agreement p. 242
  • 9.5.8 Website Terms p. 245
  • 9.5.9 Sample Assignment of Copyright, Moral Rights Waiver/Assertion and Licence p. 249
  • Index p. 251

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