Mangatopia : essays on manga and anime in the modern world

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Where to find it

Information & Library Science Library

Call Number
NC1764.5.J3 M36 2011 c. 2
Status
Available

Summary

Fascinating insights on what Japanese manga and anime mean to artists, audiences, and fans in the United States and elsewhere, covering topics that range from fantasy to sex to politics.

Within the last decade, anime and manga have become extremely popular in the United States. Mangatopia: Essays on Manga and Anime in the Modern World provides a sophisticated anthology of varied commentary from authors well versed in both formats. These essays provide insights unavailable on the Internet, giving the interested general reader in-depth information well beyond the basic, "Japanese Comics 101" level, and providing those who teach and write about manga and anime valuable knowledge to further expand their expertise.

The topics addressed range widely across various artists and art styles, media methodology and theory, reception of manga and anime in different cultural markets, and fan behavior. Specific subjects covered include sexually explicit manga drawn and read by women; the roots of manga in Japanese and world film; the complexity of fan activities, including "cosplay," fan-drawn manga, and fans' highly specific predilections; right-wing manga; and manga about Hiroshima and despair following World War II. The book closes with an examination of the international appeal of manga and anime.

Contents

  • Illustrations p. xi
  • Acknowledgments p. xiii
  • Introduction to a Semiotic Revolution: It May Not Be Kansas Anymore, but It Is the Kansai p. xv Timothy Perper and Martha Cornog
  • Part I Art in Contexts
  • Chapter 1 Chikae Ide, the Queen of Japanese Ladies' Comics: Her Life and Manga p. 3 Kinko Ito
  • Introduction p. 3
  • Her Early Days p. 6
  • Ide's Debut in Girls' Comics p. 7
  • Ide's Family Life p. 10
  • Ladies' Comics p. 11
  • Conclusion p. 17
  • Chapter 2 Films on Paper: Cinematic Narrative in Gekiga p. 21 Deborah Shamoon
  • Looking Away: The Pillow Shot in Cinema p. 22
  • Looking Around: The Aspect-to-Aspect Transition p. 24
  • Cinematic Narrative in Manga p. 25
  • A Brief History of Gekiga p. 26
  • The Aspect-to-Aspect Transition in Gekiga p. 28
  • Films on Paper p. 33
  • Chapter 3 Dr. Tezuka's Ontology Laboratory and the Discovery of Japan p. 37 William L. Benzon
  • Stories as Equipment for Living p. 38
  • Geopolitics: What Is Japan? p. 39
  • The Ontology Lab p. 40
  • Primordial Scenes p. 41
  • Parade of the Creatures p. 43
  • Varieties of the Human p. 44
  • Radiation and Artifice in the Building of Worlds p. 46
  • At the Core: Grief and Loss p. 47
  • Things to Come: Astro Boy and Beyond p. 49
  • Chapter 4 Heirs and GracesùMoribito: Guardian of the Spirit in the Realm of Japanese Fantasy p. 53 Paul Jackson
  • Fantastic Frontiers p. 55
  • Beyond the Horizon p. 58
  • Folkloric Fantasy p. 61
  • Part II Fanships and Art
  • Chapter 5 Cosplay, Drag, and the Performance of Abjection p. 71 Frenchy Limning
  • Cos

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