The weed that strings the hangman's bag : a Flavia de Luce mystery

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Information & Library Science Library — Juvenile

Call Number
J Bradley
Status
Available

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Summary

From Dagger Award-winning and internationally bestselling author Alan Bradley comes this utterly beguiling mystery starring one of fiction's most remarkable sleuths: Flavia de Luce, a dangerously brilliant eleven-year-old with a passion for chemistry and a genius for solving murders. This time, Flavia finds herself untangling two deaths--separated by time but linked by the unlikeliest of threads.

Flavia thinks that her days of crime-solving in the bucolic English hamlet of Bishop's Lacy are over--and then Rupert Porson has an unfortunate rendezvous with electricity. The beloved puppeteer has had his own strings sizzled, but who'd do such a thing and why? For Flavia, the questions are intriguing enough to make her put aside her chemistry experiments and schemes of vengeance against her insufferable big sisters. Astride Gladys, her trusty bicycle, Flavia sets out from the de Luces' crumbling family mansion in search of Bishop's Lacey's deadliest secrets.

Does the madwoman who lives in Gibbet Wood know more than she's letting on? What of the vicar's odd ministrations to the catatonic woman in the dovecote? Then there's a German pilot obsessed with the Brontë sisters, a reproachful spinster aunt, and even a box of poisoned chocolates. Most troubling of all is Porson's assistant, the charming but erratic Nialla. All clues point toward a suspicious death years earlier and a case the local constables can't solve--without Flavia's help. But in getting so close to who's secretly pulling the strings of this dance of death, has our precocious heroine finally gotten in way over her head?
 

Sample chapter

Chapter One I was lying dead in the churchyard. An hour had crept by since the mourners had said their last sad farewells. At twelve o'clock, just at the time we should otherwise have been sitting down to lunch, there had been the departure from Buckshaw: my polished rosewood coffin being brought out of the drawing room, carried slowly down the broad stone steps to the driveway, and slid with heartbreaking ease into the open door of the waiting hearse, crushing beneath it a little bouquet of wildflowers that had been laid gently inside by one of the grieving villagers. Then there had been the long drive down the avenue of chestnuts to the Mulford Gates, whose rampant griffins looked away as we passed, though whether in sadness or in apathy I would never know. Dogger, Father's devoted jack-of-all-trades, had paced in measured step alongside the slow hearse, his head bowed, his hand resting lightly on its roof, as if to shield my remains from something that only he could see. At the gates, one of the undertaker's mutes had finally coaxed him, by using hand signals, into a hired motorcar. And so they had brought me to the village of Bishop's Lacey, passing somberly through the same green lanes and dusty hedgerows I had bicycled every day when I was alive. At the heaped-up churchyard of St. Tancred's, they had taken me gently from the hearse and borne me at a snail's pace up the path beneath the limes. Here, they had put me down for a moment in the new-mown grass. Then had come the service at the gaping grave, and there had been a note of genuine grief in the voice of the vicar as he pronounced the traditional words. It was the first time I'd heard the Order for the Burial of the Dead from this vantage point. We had attended last year, with Father, the funeral of old Mr. Dean, the village greengrocer. His grave, in fact, was just a few yards from where I was presently lying. It had already caved in, leaving not much more than a rectangular depression in the grass that was, more often than not, filled with stagnant rainwater. My oldest sister, Ophelia, said it collapsed because Mr. Dean had been resurrected and was no longer bodily present, while Daphne, my other sister, said it was because he had plummeted through into an older grave whose occupant had disintegrated. I thought of the soup of bones below: the soup of which I was about to become just another ingredient. Flavia Sabina de Luce, 1939--1950, they would cause to be carved on my gravestone, a modest and tasteful gray marble thing with no room for false sentiments. Pity. If I'd lived long enough, I'd have left written instructions calling for a touch of Wordsworth: A maid whom there were none to praise And very few to love. And if they'd balked at that, I'd have left this as my second choice: Truest hearts by deeds unkind To despair are most inclined. Only Feely, who had played and sung them at the piano, would recognize the lines from Thomas Campion's Third Book of Airs, and she would be too consumed by guilty grief to tell anyone. My thoughts were interrupted by the vicar's voice. ". . . earth to earth, ashes to ashes, dust to dust, in sure and certain hope of the Resurrection to eternal life, through our Lord Jesus Christ; who shall change our vile body . . ." And suddenly they had gone, leaving me there alone--alone to listen for the worms. This was it: the end of the road for poor Flavia. By now the family would already be back at Buckshaw, gathered round the long refectory table: Father seated in his usual stony silence, Daffy and Feely hugging one another with slack, tearstained faces as Mrs. Mullet, our cook, brought in a platter of baked meats. I remembered something that Daffy had once tol Excerpted from The Weed That Strings the Hangman's Bag by Alan Bradley All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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