African American music : an introduction

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Where to find it

Music Library

Call Number
ML3556 .A34 2006
Status
Available
Call Number
ML3556 .A34 2006
Status
Available

Summary

African American Music: An Introductionis a collection of thirty essays by leading scholars whch survey major African American musical genres, both sacred and secular, from slavery to the present. The work brings together, in a single volume, treatments of African American music that have existed largely independent of each other. The research is based in large part on ethnographic fieldwork, which privileges the voices of the music-makers themselves, while interpreting their narratives through a richly textured mosaic of history and culture. The book is replete with references to seminal recordings and recording artists, musical transcriptions, photographs, and illustrations that bring the music to life as expressions of human beings. At the same time, it includes the kind of musical specificity that brings clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify the music of African-Americans.

Contents

  • Acknowledgments p. xi
  • Editors and Contributors p. xv
  • Introduction p. 1 Mellonee V. Burnim and Portia K. Maultsby
  • 1 Intellectual History p. 7 Portia K. Maultsby and Mellonee V. Burnim
  • Part I Genres p. 33
  • 2 Secular Folk Music p. 35 Dena J. Epstein
  • 3 Religious Music p. 51 Mellonee V. Burnim
  • 4 Blues p. 79
  • Chronological Overview p. 79 David Evans
  • The Blues in Transcultural Contexts p. 96 Susan Oehler
  • 5 Ragtime p. 127 Ingeborg Harer
  • 6 Jazz p. 145
  • Chronological Overview p. 145 Ingrid Monson
  • Interpreting Jazz p. 167 Travis A. Jackson
  • 7 Musical Theater p. 185 Thomas L. Riis
  • 8 Art/Classical Music p. 211
  • Chronological Overview p. 211 Josephine R. B. Wright
  • Interpreting Classical Music p. 230 Olly Wilson
  • 9 Rhythm and Blues p. 245 Portia K. Maultsby
  • 10 Soul p. 271 Portia K. Maultsby
  • 11 Funk p. 293 Portia K. Maultsby
  • 12 Disco and House p. 315 Kai Fikentscher
  • 13 Techno p. 331 Beverly May
  • 14 Hip-Hop and Rap p. 353 Dawn M. Norfleet
  • Part II Issues of Mass Mediation p. 391
  • 15 The Music Industry p. 393
  • The Popular Music Industry p. 393 Reebee Garofalo
  • The Gospel Music Industry p. 416 Mellonee V. Burnim
  • 16 Profiles of Record Labels p. 431
  • Motown p. 431 Charles Sykes
  • Stax p. 452 Rob Bowman
  • Philadelphia International p. 470 John A. Jackson
  • Part III Issues of Gender p. 491
  • 17 Women in African American Music p. 493
  • Gospel p. 493 Mellonee V. Burnim
  • Blues p. 508 Daphne Duval Harrison
  • Jazz p. 528 Sherrie Tucker
  • Women-Identified Music p. 541 Eileen M. Hayes
  • Rock p. 558 Maureen Mahon
  • Part IV Musical Agency p. 585
  • 18 African American Music as Resistance p. 587
  • Antebellum Period p. 587 Lawrence W. Levine
  • Civil Rights Movement p. 598 Bernice Johnson Reagon
  • Post-Civil Rights Period p. 624 Mark Anthony Neal
  • Glossary p. 643
  • Bibliography p. 651
  • Discography/Videography p. 685

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