The stone flower garden : a novel

Darleen Union and Eli Wade are childhood friends torn apart by a murder that has never been solved. Raised by her grandmother, Darleen is the heir to Hardigree Marble Company, which controls the small North Carolina town of Burnt Stand, and Eli is the boy genius destined to make something of himself when his family is forced to leave. But now, years later, long-buried secrets are about to be, literally, dug up: "On a dark spring night twenty-five years after I helped bury my Great Aunt Clara Hardigree, I found myself digging her up". A story about destiny, and a great love affair, this is a rich, gothic, Southern story about the darker side of family myths.

Chapter One When I grow up, I'll live somewhere as flat as spit on a marble table, Eli vowed. He was ten years old, homely, dirt-poor, smart, determined, and on an uphill course in his young life. Eli sweated and heaved as he helped his father, Jasper, push their overloaded pickup truck up the frying-hot pavement of an unusually well kept mountain road. The Wades had been moving uphill for two weeks, rising from their familiar Tennessee hill country into the Smoky Mountains, crossing the state line into western North Carolina then straight up the backbone of the tallest southern highlands. The damned old red-rusted truck had fainted on every steep grade. Cooking pots, kerosene lanterns, and a rusty charcoal grill clanked on the sides of the truck's camper back like metal fish struggling on stringer lines. Low tree limbs tried to snag the dingy mattresses and lawn chairs bound atop. A dishcloth flapped from one of the camper's cranked-open side windows, as if waving at plain Annie Gwen Wade, Eli's mother, who plodded stoically along the mown roadside, sweat streaking her face, with Eli's four-year-old sister, Bell, clinging to her neck. Eli squinted ahead, watching sweat drip from Pa's grim face and thick arms. Pa maneuvered the steering wheel with one hand and threw his weight into the truck's open door frame. Eli winced. Sweat, poverty, and pride clung to the Wade family like dust from Pa's quarry jobs. He was both ashamed of his father and fervently devoted to him. Suddenly Eli noticed a thin pine tree along the roadside. Five small hand-painted signs were tacked in a row down its trunk. GOD BLESS PRESIDENT NIXON JESUS WON'T SAVE HIPPIES STOP THE WAR The first three were ordinary enough. He'd seen their kind all along the back roads. But the bottom two signs popped out at Eli like neon. BURNT STAND, N.C., IS BUILT ON BLOOD, FIRE, AND WHORES. JEZEBEL'S DAUGHTER RULES HERE. Good godawmighty. "Hey, look, Mama," Eli said loudly, directing attention to the signs with a jab of his hand. Mama gasped. "You turn your eyes away." "What do they mean?" "I don't know, but you don't look." He bent his head and kept pushing. What kind of place were they headed to? When they rounded a curve Eli glanced up through wet, dark hair, scrubbed a dirty forefinger across the lenses of his cheap glasses, and saw the most amazing thing. There, white against the deep evergreen forest, stood two towering pillars of pinkish-white marble, one on each side of the road. Both sported handsome marble plaques filled with finely carved words. Eli gaped. More signs. Did Jezebel rule at the Pearly Gates? "Now these here words are worth lookin' at," Mama said in soft awe. Eli read the plaques out loud, for Pa's sake. Pa, bare-eyed, could pick out the finest crack in a slab of marble, or find a shooting star across the Milky Way. He just couldn't read. "'Welcome to Burnt Stand, North Carolina,'" Eli read in a heavy drawl. "'Marble Crown of the Mountains.' And the other sign says, 'Home of the Hardigree Marble Company. Established with pride in 1925 by Esta Hardigree, who lit the fire of progress and never let a stone go unturned for commerce.'" Beyond the strange marble monuments were huge fir trees and blue-green mountains. The rhododendron-hemmed two-lane led up a hill through high mountain forest so deep it cast cool, blue-black shadows in the broiling August sun. Eli and Pa pushed the truck a few more yards, finally cresting that last, torturous hill. "My god," Pa said suddenly. Eli, Mama, and Bell gathered next to him in the middle of the road, gazing in stunned silence at a pristine valley and a kind of town they'd never imagined. "It's pink," Eli said. Burnt Stand blushed, deceptively innocent under the sun. ~~~ Pink. My whole life was pink. Pink town, pink marble fortune, pink marble mansion, pink frothy clothes, pink skin. My name was Darleen Union, but it might as well have been Pinky. Swannoa Hardigree Samples, my grandmother, kept me scrubbed and shaded so much I was probably the only white seven-year-old girl in Hardigree County, North Carolina, who had no freckles. I was the heir to the Hardigree Marble Company, a princess of southern mountain marble. I was pink and miserable. We were in the dog days of summer. The air felt like a warm washcloth over my nose. At night the frogs and crickets and whippoorwills outside my ornate bedroom windows at Marble Hall sang sadly, as if waning summer moons were a call to mourn. Not many weeks earlier, terrorists had killed nearly a dozen Israeli athletes during the Munich Olympics. Our local Baptist minister said that proved the end of the world was near, which made sense to me, since Jerusalem was in Israel. The ground seemed to bake on a stone griddle. Burnt Stand hunkered over the state's only major marble vein. Polished pink stone gave the courthouse, the city offices, the library, and other downtown buildings a sheen of old-world elegance, an almost Mediterranean lightness among the green mountain forest. Barnyard fences glistened with it. Cast off chunks lined our flower gardens. Backyard tomatoes draped themselves on rough marble walls. The chamber brochure claimed that every house and public edifice contained at least a foundation or trim of our precious bedrock. For decades tourists had come just to view our fabulous town square and stroll our marble sidewalks. I hated those sidewalks. On that miserable summer day in 1972 they burned my pink-toenailed feet even through my pink sandals. Yet I stood under the awning in front of the Hardigree Marble Showroom as Grandmother commanded that I do whenever I waited in public: shoulders squared, head up, hands clasped around my pink straw purse in front of my spotless pink jumper with the embroidered pink rose on the front. Itchy sweat flattened the pink ribbons that streamed from my long French braid. I was a sturdy brunette child with dark blue eyes interested in seeing the world without a pink veneer. Standing next to me, nearly identical in her own pink jumper and ribboned braids, was my best friend and only playmate, Karen Noland. Karen and I shared a tutor at Marble Hall, my grandmother's estate, and didn't attend public school. We were never allowed to play with other children in town, and could run free only in the woods behind the Hall. We were lonely but adored each other. We were both orphans being raised by our grandmothers. Swan Hardigree Samples and Matilda Dove, my grandmother's assistant, had known each other all their lives, and so had their dead daughters--our mothers--and so had we. There was only one major difference between my family and Karen's. We were white, and they weren't. Even in our cloistered town, defined and ruled by my grandmother, that made all the difference. I couldn't say Karen and her grandmother, Matilda, were black, because they were more of a honey color, with pale hazel eyes and long coarse hair the color of chocolate ice cream. Neither Karen nor I had ever seen a picture of Karen's dead mother, Katherine, so we had no idea what color she had been. Karen kept a picture of her father on her nightstand, and he was a nice-looking black man in a Marine Corps uniform. I knew only that Karen and Matilda were not the same as us, but not the same as the black people on farms around town, not black as the ace of spades, as people said. And I knew I loved them dearly. "Wish we could walk down the street to the Hall," Karen whispered from the side of her mouth, as we stood at attention, sweltering. "We look like fools." "Only white trash and nobodies tread the side of the road like a gypsy," I intoned. It was a favorite saying of our grandmothers. "Hot pink fools," Karen insisted. I sighed. It was true. We stood like silly marble statues in front of the Hardigree Marble Showroom, where the South's well-to-do could order anything, from a ton of marble flooring to a hand-carved cherub. Across from us, on the shady town park at the center of the square, an immodest replica of the Parthenon served as our park gazebo. Given to a grateful citizenry by Esta Hardigree, 1931, a plaque on the Parthenon confirmed. A group of ordinary children chased each other wildly across the park lawn. My heart ached with enforced dignity. Karen made a mewling sound. We could not violate our grandmothers' edicts. As we stood there sweltering under our peculiar status--one little pink white girl and one little pink honey girl--an odd sight appeared beyond the dip in West Main. An old pickup truck entered the square between giant magnolias along the marble sidewalk, creeping along without any apparent human guidance. Pots and pans swung from ropes on the camper back. The truck rattled like a cowbell. Mounds of boxes and burlap bags were strapped to the top with ropes, and a rusty pink tricycle had been chained to the truck's front bumper. From our sidewalks, our park, and our shop fronts, people stared. I craned my neck and finally made out a tall, handsome but rough-looking man pushing the truck from the driver's side. A thin, brown-haired woman walked behind, the skirt of her limp polyester dress swaying above her thin tennis shoes. She carried a little girl, who burrowed her head into her mother's neck. And then I saw the boy. He was tough-looking, with closely cropped black-brown hair except for a shaggy lock that fell across his high forehead and his thick, black-rimmed glasses, the kind old men wore. His body looked long and thin inside faded jeans and a T-shirt. He bent his slender shoulders to the truck's back corner like an ant pushing a boulder. Lean muscles strained in his arms. He looked like a boy Jesus pushing a pickup truck instead of pulling a cross. No, a gypsy boy, I thought for redemption's sake, though there'd never been evidence of gypsies traveling through Burnt Stand before. At least the boy was in charge of his world, moving it. My world was as rooted as the marble cherubs in the Hardigree showroom window, and I had no control over any of it. I watched with fascination as the rattling truck inched around the oval circuit of the town square then headed toward me. Slowly, the boy and his world eased into a small, empty parking space directly in front of the Hardigree Marble Showroom's elaborate white doors and soaring arched windows. Twenty feet from Karen and me. We had a front-row seat. "Strangers and white trash," Karen whispered fearfully, backing up until she was pressed against the marble facade of the showroom offices. She gave me a comical Lucille Ball look of horror. "You better come over here with me!" I shook my head. The exciting, frightening outside world had suddenly parked right before me. The boy's chest heaved. He dragged a hand over his glasses, smearing dirt and moisture on them as he raised his head. When he spotted me, he did a double take. I knew I looked like a big, pink-dyed Easter chick, and my face burned with humiliation. As if he couldn't be certain I was real, he pulled his glasses off and cleaned them on the tail of his white T-shirt. I stared at him openly, and he stared back. His eyes were large, brown, and soulful, with long lashes. The most beautiful eyes I'd ever seen. He tilted his head as he tried to see me without aid. "Yep," he said. "You're still pink." "Eli, you wait right here with Bell," the woman said, setting the little girl down next to him. "Your pa and me'll be right out, you hear?" "Yes, ma'am." He took his baby sister's hand. She slammed herself against him and hid her face in his stomach. His mouth flattened in resignation, but he patted her on the head. His mother looked my way and smiled shyly. "Hello," she said. "You're the prettiest sight." "Hello, ma'am," I replied primly. "And thank you." Grandmother had trained me in graciousness via innumerable teas, dinners, and picnics. I had been presented to the governor, the vice president, and more than a few marble barons, including an Italian manfriend of hers who'd barely noticed me except to call me il mio piccolo e aumentato. My little rose. Italian for pink. "How do you do, ma'am?" "Why, pretty good, thanks." "Annie, let's go." The hard-looking man scraped a comb through his dark hair and rubbed his face with a towel he'd pulled from the truck's cracked vinyl dash. He ignored me and went instead to Carl McCarl, my grandmother's handyman. Carl McCarl shuffled like an old, bald bear as he mopped marble sidewalks and washed down buildings. He was in a bad mood. Grandmother had ordered him to go up on the main road when he finished there and tear Preacher Al's signs down off the pine tree again. Preacher Al had been a stonecutter in the old days, but he went crazy at some point, forcing Great-Grandmother Esta to throw him out of town. He preached only through his pine tree pulpit, and everybody ignored him. Swan said he was a sad old man, and her mercy toward him always amazed me. Carl McCarl went up on the road regularly and took down his lurid signs. Swan would never explain their meaning to me. "Excuse me," the boy's father said to Carl McCarl in a deep, workingman's drawl, the voice of cornfields and textile mills, long-haul truck routes and late-night roadhouses. "My name's Jasper Wade. I'm here to see Tom Alberts. Said to look for him at the Hardigree showroom here in town. Is this it?" My ears pricked up. Tom Alberts was my grandmother's business manager, handling the grubby details of firing and hiring workers at the quarry and the showroom. Hardigree Marble employed more than 300 people--a good third of Burnt Stand's workforce. Carl McCarl turned slowly and stared at Jasper Wade for a long time. Jasper Wade scowled and flexed his massive forearms. "You got a problem with me, Mister?" "Go 'round back. Around that corner, yonder. Down the alley. Ring the doorbell at the office sign. And don't worry about that there truck. I'll get you a mechanic to look at it." Jasper Wade's face loosened with surprise. His expression said his whole life had been hard work and back doors and any kindness was unexpected. "Thank you kindly." He motioned for his wife to come along. I watched them walk down the burning sidewalks and disappear down a marble alley at the end of the block. Carl McCarl watched him until he disappeared. I had never seen the old man so interested in just another stonecutter, or in anyone, for that matter. He wiped his forehead with a hand that trembled, then shuffled inside the showroom. I shrugged off his strange behavior as I returned my attention to the boy, pondering how to test him. Greetings, I said to people, instead of Hello. I had read the salutation in a Victorian book of manners, and it clung to me like the scent of a comforting nosegay, a test to find the other lonely souls in the world. This happened because Swan kept me so isolated and spoke to me as if I were a small, pink adult. And so I had become a caricature, like a bad reproduction of a classic marble vase. A faux child. No one ever responded in like to my salutations. My whimsies were far too ponderous. My heart pounded. "Greetings," I said loudly. I waited for him to say something stupid. After a moment spent chewing a thought, the boy nodded. "Greetings," he answered seriously, the first boy who ever had. I smiled in disbelief. "My name's Darl Union. What's yours?" "Eli Wade." "Is that your sister?" "Yeah." His little sister burrowed deeper into his stomach, clutching his T-shirt in her small fists and hiding her face. I looked closer at her. "Can she breathe like that?" He shrugged. "Aw, she's a trout. She's grown herself some gills." This was the funniest thing I'd ever heard, and now I fully admired Eli Wade's way with words. I opened my mouth to say so, but from the corner of my eye I saw trouble coming. The children in the park included several older boys, all white except for Leon Forrest, the son of a tobacco farmer. Leon lounged nearby, skinny and dark as night, scowling and grimy in old jeans and a T-shirt. He was waiting for his daddy to come out of the feed and seed store. He sneaked peeks at Karen every time he saw her in public. He had a crush on her. She ignored him. My stomach clenched as a gang of boys left the park and bounded our way. "Darl, Darl, you come over here with me!" Karen hissed. I didn't budge. Eli's shoulders tightened and his head came up. He pressed his glasses high against the bridge of his nose and scoured the other boys with a look. In return, they offered some creative spitting and sneering. Stonecutters' sons. Tough as rock. "What the heck kind of truck is this?" one said. The others joined in. "I ain't never seen nothing so sorry." "You all live in that thing?" Eli said nothing. As if expecting the worst, he pried his little sister from his shirt front, picked her up, then opened the truck's passenger door and set her on the faded vinyl seat. She whimpered, gave the scene outside one quick, terrified look, then scooted down out of sight. I heard her sobs. When Eli faced the gang again they closed in a little. One of the more swaggering types hooted and shot out a hand. He prodded Eli's shoulder. "Hey. Hey. What's wrong with that girl--is she some kind of retard?" Eli punched the boy as quickly as a black snake snatching a mouse. The boy tumbled backward into the others. Suddenly everyone was yelling. Eli stood there with his feet apart in dirty tennis shoes, his fists drawn up like a boxer's, his whole attitude quiet and deadly. Heat fogged his glasses. "Get him," a boy yelled, and they all stepped forward. Fists began swinging. One of them slammed Eli in the mouth, and he went down. The others piled atop him. My life as a statue was over. I leapt in a pink heap atop the downed boys, clawing and slapping as I pushed my way to Eli. I heard Karen squealing and looked up just enough to catch her bounding forward in my defense. One of the boys shoved her, but suddenly Leon Forrest had that boy by the collar of his shirt, shaking him. When the rest of the boys realized two girls and tough, black Leon Forrest were in the fight--and not just any two girls--they backed off as if poisoned. Eli Wade got to his feet and wavered in place, blood streaming down his chin. I was sprawled on the pavement. The whole gang stared at me, the color draining from their faces. The pink rose appliqué had been half-torn from my skirt, my pink hair ribbons were akimbo, and I was in a furious pink froth, with my skirt halfway up my waist, revealing pink panties. I glared from them to the row of fingernail scrapes on my arm, oozing blood. "S-s-sorry," one boy said. "Aw, shit," another intoned. "He's mine," I said. "You leave him alone or I'll tell my grandmother to fire your daddies from the quarry." I was devoid of mercy or nobility in the heat of the moment. I felt a hand under my armpit. Eli pulled me to my feet, then gallantly stepped between me and the others while I jerked my skirt down. He squinted behind his fogged glasses, but his fists were steady. "Git, assholes," he said to the boys. They turned and ran. My breath backed up into my skull, and I felt dizzy. When my eyes cleared, Eli was looking at me with a frown. I shook my head. "Don't be afraid. I didn't mean it about their daddies. All the stonecutters belong to us Hardigrees. Now those boys know you're one of them." Blood dripped from his nose, and he wiped it furiously. "I don't belong to nobody. Leave me be." He climbed into the truck, hauled his wailing sister out, and shut the door. "Shush, Bell," he soothed, as he sat down on the running board with her in his lap. "Nothing ain't hurt but our pride." Karen snatched my arm and swung me around. "Look at you! Oh, Darl! We're going to be in trouble." One of her braids was mangled. Crisp, wiry brown hair tufted from the ruined plait like stuffing from a pillow. "You okay, Karen?" Leon Forrest asked, hovering nearby. "Your do's comin' undone." She whirled toward the tall dark farm boy as if he intended to stain her much paler brown skin. "You go on. Shoo. Go away." "As long as you ain't hurt." "I'm f-fine," she sputtered. "Go on, boy. Thank you. 'Bye." He sighed as if he could live on that small gratitude, then headed down the sidewalk, his shoulders hunched. I gazed unhappily at Eli and his sister. She buried her head in his stomach and sobbed. He sat there stoically, ignoring me. At that moment Karen's grandmother, Matilda, drove up in her gold sedan and slid out of the big car in a quiet whoosh of fine fabric. Matilda was an imposing woman, tall, slender, and impeccably neat in a tailored blue dress, her thick chocolate hair molded into a short, fashionable hairdo, her skin light enough for freckles. Only degrees of skin tone separated her from Swan in terms of their majestic effect on people. "What in the world?" she asked, her hazel eyes flashing angrily at Eli. "Who are you, young man?" He stood, prying his little sister away for a moment. He bobbed his head to her, a polite gesture few white children made to colored women. "Eli Wade, ma'am." She went very still, her hand rising, slowly, to her throat. "Wade," she said softly. Like Carl McCarl, she seemed stunned. "He didn't do anything wrong," I said quickly. "I'll take the blame for him. He's mine, Matilda. Please?" I smoothed my hand across my arm, swiping blood from my scratch. I had seen this in a movie. Blood rituals. Before Eli Wade could pull away I drew my finger through the blood beneath his nose, then dabbed it on my own cheek. Unaware of any other forces swirling around us, I met the slow, amazed heat of Eli's stare. "My stonecutter," I told him. I had decided we were cut from the same rock. ~~~ THE PAST IS CARVED in stone. Never leave the pieces for someone to find. Swan Hardigree Samples had written that rule on a slip of paper when she was a girl, and she had never forgotten it. The warning ran through her mind now as she held a yellowed photograph at her desk in the dark luxury of her library at Marble Hall. Matilda pulled an armchair beside Swan's desk, and they bent their beautiful heads together over the photograph. It had been taken on a rolling back street in Burnt Stand on a spring day in the mid-1930s. Swan's aging mother, Esta, posed with jaunty elegance before the scaffolding and the piled stone block of yet another fine marble home she was building. Esta Houses, she called them. She was building her own town, building her own version of the past, and grinding the rest to dust. A tight bow of dark material banded her ample hips in a long-waisted dress. Her bodice sagged a few inches too low, revealing a crevice of fine bosom below a neck with skin going as soft as pale crepe. Around her, workmen posed awkwardly, their hats in their hands, obedience in their eyes. Behind her on a rough pedestal of tumbled stone, gazing out steadily at the camera, Swan herself stood in the glory of a nineteen-year-old's future, lovely and reserved in a long slender skirt and high-buttoned white blouse, her eyes stern but still capable of warmth and humor. Her younger sister, Clara, lay on her side atop a low stone wall, dressed in schoolgirl cotton but lounging like a southern Cleopatra, even to the sly expression on her face. Off to one side, away from the whites, Matilda stood much as Swan did, with steady decorum and quiet command, a heavy cameo closing her blouse at the throat. Strangers assumed she was a live-in colored companion, or a personal maid of some kind. Behind and above them all, framed by the unfinished marble walls of the house, a tall, dark-haired white man stood with his long legs braced apart on scaffolding. He was dressed in worker's clothes and had the muscular build of a stonecutter, but there was more pride than humility in his face. He'd hooked his thumbs in loose pockets over long thighs. He seemed to be standing easily atop the world. Their world. His name was Anthony Wade. "What a handsome sight Anthony made that day," Matilda said. "We could barely keep our eyes off him." "But he only had eyes for you." Swan put the photograph back in a small marble and wood box with a lock on the lid. She flicked the dial and handed the box to Matilda. "I wish you hadn't kept that." "It's the only picture I have of him." She paused, her throat working. "Thank you for helping me find his family." They touched hands for a moment. Swan nodded to her, but grimly. "This family of Anthony's came long after he left Burnt Stand," Swan reminded her. "You owe them nothing." "I owe Anthony," she said. "If Clara hears about us bringing them here, you know there'll be trouble." "She won't hear. No one remembers Anthony but us--and old Carl. No one else will associate the Wade name with him." She rose, taking the box. "I have to help Anthony's son and his family, Swan. I have to try." Swan nodded wearily. She indulged Matilda, though she herself had long since given up on sentiment and kindness of the overt variety. She and Matilda had survived hard childhoods, small-minded dictates, men who came and went, and daughters who never understood and died young. She feared that bringing the Wades to Burnt Stand was a mistake she'd regret for the rest of her life. "Send Darl in," she told Matilda. Matilda frowned. "She's claimed Eli Wade as her personal project. She'll defend him. I don't know what to make of it. You should have seen them together. Like two little warriors." An amazing child, Swan thought. She steepled her chin on one hand, and shut her eyes. Darl was bright, smart, beautiful, loving. Her future could be ruined so easily. Like fine hard stone, she had to be chiseled just right. Swan would not make the same mistakes she'd made with Julia, Darl's mother. "I'll let her have the boy for now." Swan opened her eyes and looked at Matilda. "She'll understand her place and his, soon enough." "Don't we all?" Matilda said sadly, and left the room. ~~~ "WHY, DARL, you favor your grandmother more every day," an elderly woman had cooed to me one day as I stood in the Burnt Stand Soda Shop, waiting for Swan. "No, I think she looks more like her great-aunt Clara," an elderly companion insisted. "Oh, don't say that. Don't put that curse on the child." "But Clara was beautiful!" "She was as ugly as sin." I stood there listening in horrified confusion as they debated my mysterious great-aunt's morals--and then I watched them snap shut like turtles when Swan arrived. And so I knew: Clara was so evil she could embarrass our family name in public, something a Hardigree must never do. But now I had done it, too. I waited for Swan's judgment on a teak bench in the hall outside her library. My feet tapped an uneven rhythm on the marble floor, and I shivered. Swan had recently outfitted the old mansion with air conditioning, and I missed the hum of ceiling fans and warm breezes. "Help," I whispered to a fireplace portrait of my dead mother, Julia Samples Union. She smiled down at me in useless debutante beauty. Everyone said she'd been a very sweet person, and very soft. I dreamed of her at night, and of my father, who had been nothing but a young Hardigree Company stonecutter. I had never known either of them. I was just a baby when he killed himself and my mother by driving too fast on a mountain road just outside town. He hadn't meant to. Men never did, Swan said. My great-grandmother, Esta, stared down at me from another wall. Her nearly life-size portrait had been painted in the late 1930s, not long before she died. Esta was only in her fifties then and still conveyed curvaceous beauty and power. She gazed out at the world with just the slightest taunting lift of one brow. An ice blue ball gown hugged her breasts and spread from her waist like a flower, and around her throat a tiny Hardigree pendant--marble with a diamond in the center--hung from a snarl of pearls and sapphires. Swan wore one just like it. Beside her, a massive portrait of her husband, my great-grandfather A. A. Hardigree, portrayed him as a darkly handsome man with burning eyes. He had started the quarry and built the original town of Burnt Stand, then died when a fire destroyed most of the town in the 1920s. I was afraid of him and could only think of him being roasted. Nearby, my grandfather, Dr. Paltrow Samples, smiled blandly from a portrait encased in marble trim. He had come from a prominent Asheville family and had died of a heart condition before I was born. Swan rarely spoke of him, just as she rarely spoke of my dead mother, or of Great-Aunt Clara, who lived in Chicago. There was no portrait of Clara anywhere in our house. She was the unspoken monster who might get me if I didn't learn to be a lady. Not that Swan told me that in so many words, but even as a child I knew it was a bad sign when someone's name was never mentioned. If I wasn't careful, I'd end up just as invisible. The library's massive oak doors clicked softly. I jumped up, clutching my hands behind my back as if shackled. Matilda stepped out. "You may go in," she said gently. "It's all right." She patted me on the back. Matilda had a core of warmth that Swan lacked. I nodded and swallowed hard. When I stepped into the library soft shards of light glimmered on a crystal chandelier. Swan rose from her desk. I shivered again, although my grandmother would never lay a hand on me and rarely even raised her voice. She was fiercely protective of me, firmly instructive, extremely proud. I wanted to please her. "You disobeyed my strictest rule about our behavior in public," Swan said in her cultured drawl. I could only nod shamefully. She moved across the room with the hipless grace of a Vogue model, dressed in a pale linen skirt, a white blouse, and low-heeled white shoes. A single strand of pearls graced her throat, matching small pierced earrings. She wore a gold wristwatch, a diamond encrusted wedding ring, and her Hardigree pendant. Swan was only in her early fifties, still stunning, with shoulder-length brunette hair she had just begun to touch up with color. Her eyes were even bluer than mine, under arching brows. "You've never disobeyed me before." "I'm sorry." "Sorry you got caught?" "Yes, ma'am. I mean, No, ma'am." To my astonishment, the thinnest little smile cut her face. "Tell me exactly what happened." She settled behind a heavily carved desk and tapped a gold fountain pen on the dark marble surface. Imported. A gift from the Italian marble baron. "You always say we have a duty to our employees, so I thought I needed to do my duty, and they were hitting him, and I couldn't just stand there." "This boy, Eli, strikes me as a troublemaker. He was barely provoked, it seems, before he started swinging at the other boys. What do you think?" "I think he's used to being made fun of and having to fight back. But he didn't hit anybody until they picked on his little sister." "I see. So he's a noble person, in your estimation?" "He helped me up. He stood in front of me so I wouldn't get knocked down again." "I see. Be that as it may, I don't want any more trouble between you and Eli Wade." My heart sank. "Yes, ma'am." Swan never issued casual orders. "Don't ever lower yourself to the level of your inferiors." "Yes, ma'am." "But do fight for what is yours." I stared at her, bewildered. "Ma'am? So it's all right?" "This time." She waved me away. "Go." I leapt for the doors, a huge weight lifting from me, though I realized my grandmother's complex rules had become more tangled than ever. When I was older I'd understand that I'd impressed her. The meek might inherit the earth, but not at Hardigree Marble. I halted at the enormous doors and looked back. "Where are the Wades going to live, ma'am?" I always called her ma'am. Swan had already opened a drawer and removed a stack of ledgers to consider. She looked at me over them, a little impatient. "At the Stone Cottage. I needed a caretaker for it." I bit back a gasp. The Stone Cottage belonged to us; in fact it sat not a ten minutes' walk away in the vast wooded property behind Marble Hall. This meant the Wades were special. This meant Karen and I would no longer be all by ourselves in the woodlands where we played our solitary games. Unbelievable good luck had come to me. I had been born between a rock and a hard place. A pink rock. But now my small, lonely, protected world had just increased in membership by one fascinating soul. Eli Wade. Excerpted from The Stone Flower Garden by Deborah Smith. Copyright © 2002 by Deborah Smith. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.