Songs of the new South : writing contemporary Louisiana

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Where to find it

Davis Library (8th floor)

Call Number
PS266.L8 S66 2001 c. 2
Status
Available

Stone Center Library

Call Number
PS266.L8 S66 2001 c. 3
Status
Available

Summary

The works of Louisiana authors differ from the works of other Southern writers in significant ways. Strong French, Spanish, Native American, and African American traditions shaped Louisiana culture, and Louisiana writers reflect that cultural diversity in their works. So too, historical and religious influences caused Louisiana to develop in a distinct way, and these influences have similarly affected Louisiana writers. The narrative styles employed by these writers generally differ from the styles of other Southern authors. While contemporary Louisiana writers have contributed a substantial body of work to Southern literature, their writings have not received adequate scholarly attention. This book provides a critical introduction to Louisiana literature and gives special attention to how Louisiana literature and culture depart from the rest of the South.

The volume is the first collection of scholarly studies focusing on Louisiana writers from the 1930s to the present. Drawing together discussions of 15 of Louisiana's current premier fiction writers, the collection is organized into three broad sections. The first examines Louisiana narratives and folk traditions; the second, influences of religious traditions on Louisiana writers, including Protestantism, Catholicism, and Paganism; and the third, the construction of gender and race in Louisiana culture. Included are discussions of such writers as Ernest J. Gaines, Anne Rice, James Lee Burke, Moira Crone, John Dufresne, Michael Lee West, Rebecca Wells, and Robert Olin Butler.

Contents

  • Foreword: Acts of Translation p. xi Moria Crone
  • Acknowledgments p. xv
  • Introduction: A New Generation of Louisiana Writers p. xvii Suzanne Disheroon Green and Lisa Abney
  • Louisiana Narratives and Folk Traditions
  • Living on the Edge in Rebecca Wells's Little Altars Everywhere p. 3 Mary Ann Wilson
  • Food and Foodways in Michael Lee West's She Flew the Coop: A Novel Concerning Life, Death, Sex, and Recipes in Limoges, Louisiana p. 11 Lisa Abney
  • New Orleans Mothers and Sons: Familial Relationships in John Kennedy Toole's The Neon Bible p. 19 Patricia A. Threatt
  • "This Is the Kingfish": Huey Long's Autobiography, Every Man a King p. 27 Philip Dubuisson Castille
  • Locating Community in Contemporary Southern Fiction: A Cultural Analysis of Robert Olen Butler's A Good Scent from a Strange Mountain p. 37 Erin E. Campbell Cash
  • The Spell of the Swampland: The Tales of Shirley Ann Grau p. 47 Sally B. Blanton
  • "All Our Stories Begin Here": Heroism and Sense of Place in James Lee Burke's Dave Robicheaux Mystery Series p. 57 Thomas Easterling
  • From Huey Long to Willie Stark: Louisiana Politics in All the King's Men p. 67 Harold Woodell
  • Paganism, Papism, Protestantism, and the New Southern Religion
  • Postmodernism Goes South: John Dufresne's Louisiana Power and Light p. 77 David J. Caudle
  • Fiction Is My Religion: Conversations with John Dufresne p. 87 Kevin Blaine Bell and David J. Caudle
  • Invoking Generational Demons: Orality and Catholicism in The Witching Hour p. 99 Kenneth Price and Shelby Rosiak
  • The Complicated Catholicism of Andre Dubus p. 107 Michael Cocchiarale
  • Lady of the Earth and Moon: Goddess Imagery and the Ya-Yas p. 115 Lori Rowlett
  • "Black cat bone and snake wisdom": New Orleanian Hoodoo, Haitian Voodoo, and Rereading Hurston's Their Eyes Were Watching God p. 123 Pamela Glenn Menke
  • Three Castes of Race and Gender
  • Awakening the "Essence of Blue": The Emerging Southern Women of Kate Chopin and Moira Crone p. 143 Suzanne Disheroon Green
  • Equality for African-American (Wo)Men: Quests for Masculinity in Ernest Gaines's Bloodline p. 153 Laurie Champion
  • "Against Regulations": Southern Women in the Fiction of Rebecca Wells p. 163 Patricia M. Gantt
  • Ellen Gilchrist's Heroines: The Scourge of New Orleans p. 173 Mary A. McCay
  • Rape and Redemption: The Revision of "Colored" Female Chastity in Pauline Hopkins's Contending Forces and Anne Rice's The Feast of All Saints p. 183 Amy Anastasia Birge
  • Bloodlines: Creoles of Color and Identity in the Fiction of Ernest Gaines p. 193 Keith Byerman
  • Selected Bibliography p. 203
  • Index p. 207
  • About the Editors and Contributors p. 215

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